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Pen on paper. By me. Purple Picasso by me OC i. Waterpark - by me OC i. Puffer City Brandon Graham i. Can you find everything that begins with the letter C?
It's not too much but maybe you like it and you can tell me some tips. I colored it a little but not in a good way so I put a black and white effect i.
I insert my original character into favorite tv shows! Recently, I did this one from Community. Let me know if you can find the pigeon, rat, and all the purple pens.
If you liked this, you can check out my IG pothepigeon for more! Can you find everything that begins with the letter B? Hieronymous Bosch i.
Submit a new link. Get an ad-free experience with special benefits, and directly support Reddit. Make yourself nice and cozy, crank that zoom-in to the max, and enjoy!
This is an ever-growing list of the best Wimmelbilder picture-books out there! Full collection of Where's Waldo Where's Wookiee?
One post - one picture If you have multiple pictures you'd like to share, spread them out across multiple posts and multiple days.
Not a website link or image gallery. A picture. The post title has to include the artist's name. If you don't know who the artist is - it's easily searchable via reverse image search on Google Images or TinEye 4.
No photos. There are other subreddits for that. A child will discover a little funny subscene every time and the fun of those discoveries will make the child look for more of these funny scenes.
These are not books when once read are put aside. Children want to see these books every time again because they can find something new and funny every time again.
I think every photographer has to some degree ignore the whole idea of convention to avoid making the same images that have been made before…. Approach: Analytic Execution: Controlled, detailed and precise Could we define that combination as your niche?
Analytic is not the same as cold and soulless. Psychologists also have to be analytic. I can immediately think of many possible scenes such as markets, exchange floors, casinos, etc.
Interesting post as always Ming, thank you! So yes, a simplified version of the same image making process though not necessarily easier and similar components but different objective.
I always thought it was the illusion of repetition, but the slight differences are what makes you bounce back and forth in comparison — though not having seen a large original print in person, I might be wrong….
In most of his work, it could almost be defined in modern terms as the opposite of subject isolation. Too many photographers treat subject isolation as something you have to do in every shot.
Hunters in Snow does do a sort of subject isolation, but still has the incredible richness of detail. Most of his work and a lot of yours are more urban scenes that show the complexity of urban life while still trying to make some kind of a focused statement, although that statement might be as simple as the richness of a wedding reception experience.
I remember some of your Tokyo photos showing teeming streets and they are reminiscent of Brueghel. Will be interesting as we get much more acclimated to phots than painting if painters start putting depth of field and motion blur into their works.
He should have been included. As for isolation — it is much easier to paint a subject over a clean background than a deliberately messy one, and painting shallow depth of field convincingly is nigh on impossible — not to mention impossible to imagine back in the day without fast optics to show us what it looked like.
Thanks for reminding me ;P. Hey Ming, this is a great article. One previous poster was correct: the images that go with the text are highly respectable.
Couple of thoughts: 1 I believe you have grasped the concept that I associate with the word, me being German.
Wimmelbilder, to me, are closely connected to childhood memory. Apart from the visual characteristics — which I think you got completely correct — one distinguishing feature of the wimmelbilder I remember is that there were not only many sub-compositions but also many sub-stories.
Sure, there is usually an overarching narrative, but below that level, there may be more going on. As such, I think the concept of wimmelbilder transcends purely geometrical considerations.
This is to do with the second point: Wimmelbilder command a lot more attention from the viewer than almost any other type of image.
That is not necessarily a result of the complex composition but may be the other way around. I remember my former dentist having a large-scale wimmelbild of a woodland scene hanging on the ceiling above the patient.
And similarly, almost any pediatrician has books containing wimmelbilder in the waiting area. Because they force the viewer to concentrate, to immerse themselves in the scene for a few moments resulting in calmer patients….
In video editing it is commonplace to show images moving ones, nonetheless for less than a second, simply because the viewer has understood and registered them in that short time period.
To come to my point: I think that images with highly detailed compositions which do not tell more than one story are not really wimmelbilder, at least not in the way I understand them.
I may be wrong in this and of course it does not mean that the images I excluded from the category are any less valid; I only see a conceptual difference between them.
Cheers and please keep the photography articles coming: I know the feedback is relatively low but they are worth a lot to readers like me.
Should you ever publish a book, I would buy it in a heartbeat. On the other hand, a seemingly more simple image that does offer the potential for immersion still qualifies because you gain additional returns when you invest more effort.
Not every image will do that…and I find that many do the opposite: the closer you look, the sooner you find something jarring and at odds with the rest of the composition that inevitably jumps out first every time you revisit the image.
Interesting post…. Like anything I believe the center of it is your particular creativity and self expression.
But, your love of intricate watch details may lead you eye to these things on a larger scale. And that good mix of good illustrations widening the meaning of the text.
Irrespective of the subject, the art of composition is partly about relating all the visual material geometrically. Not a straight-forward spatial power spectrum of image processing, but something a little more nuanced with recurring patterns at different scales.
Perhaps the deep significance comes to how the human visual system interprets an image, identifying pattern and drawing meaning out of geometry.
When those patterns register in just the right relationship to one another, resonating at different scales or harmonising like the score of a symphony, the effect is delicious.
If the mixed metaphor can be excused! Using one of our other senses, your comment just made me think of the composition of a symphony.
Low frequency repeating melodies, mid-frequency riffs, high frequency sparkling details…I suppose this is the photographic equivalent?
Ah yes, fractals …. And yes, with regards to this subject fractals also jump into my mind every time. Although Wimmelbilder seem to be something else.
With a limited set of formulae and parameters it seems, very complex life-like graphics can be generated with fractal mathematics.
Simple concept, very complex end result. Genetic code will use these mathematics. So in the end we and life around us are very simple.
Or very complex? It might be this familiarity that causes our appreciation of clearly fractal things like mountain sceneries and woods.
This appreciation is not true for everyone. I love this subject…. I think there is a parallel here to the phenomenon that we grow roots in the landscape we grow up in, in the sense that we feel very much more at home in landscapes very similar to that.
Very telling…. Tech is pointless without an objective…but perhaps I could wimmelbild better with a hundred megapixels instead of fifty…. Is that based on visitor statistics?
Ming, I am a serious photography enthusiast, and have been following your blog for quite some time now since I found your Film Diaries when I started shooting film with a beautiful and old Leica M3 and a Hasselblad CXi which I really love but now mostly shoot digital since I am traveling for an extended period of time around Asia.
Now I enjoy your Photo Essays, which I find exquisite… Not only because of your great work as a photographer, but also because of the way you write.
I am mesmerised by your recent digital Hasselblad images, but the camera is just a machine, your mind and eye are behind it! Gear reviewers are everywhere.
Serious photographers generous enough to share their thoughts and skills with total strangers… not so many… Rest assured, those of us who read your blog to learn about photography, about photographers, about techniques, composition, lighting… we cannot look at you under any other light.
I once saw a theatre play where the actors slowly wimmelbuilt the stage. It was totally engaging, but in the end nothing had really happened!
Attention to detail? Thanks for posting this Ming. I am reminded of two films I saw years ago. Thanks again. My full respect. The latter sounds more natural to me.
It may be a matter of recognizing the opportunity for that type of composition and reacting to it, as opposed to setting out with that construct in mind.
Not only are there uncountable hordes of people seen, but they are organized into intricate patterns of activity which force them into shapes that flow into and spin off of one another.
Of course my grasp of German linguistic concepts may be fatally off the mark. But when I look at some of those scenes I see Hieronymus Bosch brought to life.
I think of it as a sort of recursive visual density that draws […]. I have always been drawn to wimmelbild-type scenes like this in any city as they feel to capture a good sense of the essence and mood of a […].
It is the underlying framework over which the elements must be overlaid; both spatial […]. Perhaps it was the light, perhaps it was the urban wimmelbild elements, or perhaps the combined tension created by the presence of both — very hard shadows […].
The latter tends to be good for tighter […]. The images presented […]. One practical note on execution: you need the right balance of luminance between actual […].
No, really, read it. I consider it required reading for this. Do it now, then come back and […]. Behind the scenes videos.
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Comments Brandon Feinberg says:. January 22, at AM. Brandon Feinberg says:. This was meant for a different post. Please ignore.
My apologies. Savage Frieze says:. January 29, at PM. Ming Thein says:. Brett Patching says:. July 18, at PM.
Alan says:. July 9, at AM. Thanks, Alan. July 26, at AM. Jaap Veldman says:. June 25, at AM. And that is something that also defines the tools we consider to be Great Gear.
Problem solved: lots of watches in the same photograph! June 26, at AM. Kristian Wannebo says:. June 26, at PM. Ming, When I came to Germany I missed children playing in the street, where were they?
July 1, at AM. Wilbur Norman says:. August 6, at AM. I think so. July 1, at PM. Tarmo says:. MarcoSartoriPhoto says:. June 25, at PM. Will do.
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